三生三世十里盗墓李碧华一定不会想到许多年后盗墓会成为中国网络文学的重要类型其实挺前卫的居然在张艺谋和巩俐之间尝试建构RPS(Real Person Slash)也非常后现代时空大杂烩想到哪儿就说到哪儿很飞重述焚书坑儒其实调用了WG的情感结构但依然是地缘性的刻板想象日历女孩是概念化的张艺谋长了一张“寻根脸”却在本片中被化用为忠孝节义之士这种不加批判的、土气的、可爱的笨拙恐怕也是彼时香港人眼中的大陆形象吧
never thought out Shawshank can run out of the jail. At the end of the movie, the escape make me scared about the patience, the plan, the power realization of the dream. Nice for Shawshank, and it's nice for everyone